SONIC 6.0 - HOMEGROWN
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            • Serenus Zeitblom Oktett DE
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      • 2.1
    • 2013 >
      • 2.0 Cold sounds/Warm hearts
      • Program
      • Performers >
        • Aino Juutilainen FI - Cello
        • Anrijs Ivanovskis LV - Bassoon
        • Oscar Micaelsson SE - Piano
      • Composers >
        • Filip de Melo SE
        • Daniel M Karlsson SE
        • Jonatan Liljedahl SE
        • Marcus Wrangö SE
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        • Christos Farmakis DK
        • Eirik Østby NO
        • Gunnar Karel Másson IS
        • Hafdís Bjarndóttir IS
        • Árni Guðjónsson IS
      • Pictures
    • 2012
  • About
  • Dansk
  • Home
  • Contact/Tickets
  • Earlier Versions
    • 2017 >
      • Sonic 6.0
      • Artists >
        • Andreas Dzialocha
        • Bára Gísladóttir
        • Eli Gras
        • Jeppe Just Instituttet
        • JOYFULTALK
        • Kopenhagen Laptop Orchestra
        • Madeleine Jonsson Gille
        • Maj Bjørnholdt Kjærsig
        • Marta Forsberg
        • Morten Riis
        • Nick Martin
        • Ragnhild May & Stefan Maier
        • Rasmus Svale Kjærgård Lund
      • Program
    • 2016 >
      • 5.0 Echea >
        • Artists >
          • Arma
          • Arturas Bumšteinas
          • Bergrún Snæbjörnsdóttir
          • Gunnar Gunnsteinsson
          • Oscar och Jonatan
          • Patrik Jarlestam
          • Shasta Ellenbogen
          • Simon Christensen
          • Sven Dam Meinild
          • Tinna Þorsteinsdóttir
          • Ventus
          • Ylva Lund Bergner
    • 2015 >
      • 4.0 Static Illusions
    • 2014 >
      • 3.0 Ritualistic Soundscapes >
        • Program
        • Venues
        • Artists >
          • Performers >
            • Serenus Zeitblom Oktett DE
            • Trio XelmYa DE
            • Kontaktmikrofonensemblet DK/NO
            • Zoe Martlew UK - Cello
            • Shasta Ellenbogen CAN - Viola
            • Marco Fusi IT - Viola d'amour
            • Ventus DK/NO
            • Arma & Refusenik LT
          • Composers >
            • Jeppe V. Ernst DK
            • Martin Stauning DK
            • Hampus Norén SE
            • Victor Lisinski SE
            • Árni Freyr Gunnarsson IS
            • Bergrún Snæbjörnsdóttir IS
            • Finnur Karlsson IS
            • Gunnar Gunnsteinsson IS
            • Halldór Smárason IS
            • Haukur Þór Harðarsson IS
            • Kristín Þóra Haraldsdóttir IS
            • Þórunn Gréta Sigurðardóttir IS
            • Kristine Tjøgersen NO
            • Andreas Dzialocha DE
            • Jachin Edward Pousson US
        • Festival Team >
          • Gunnar Karel Másson IS
          • Filip de Melo SE
          • Kaj Duncan David DK
          • Patrik Jarlestam SE
          • Árni Guðjónsson IS
      • 2.1
    • 2013 >
      • 2.0 Cold sounds/Warm hearts
      • Program
      • Performers >
        • Aino Juutilainen FI - Cello
        • Anrijs Ivanovskis LV - Bassoon
        • Oscar Micaelsson SE - Piano
      • Composers >
        • Filip de Melo SE
        • Daniel M Karlsson SE
        • Jonatan Liljedahl SE
        • Marcus Wrangö SE
        • Maria W. Horn SE
        • Ylva Lund Bergner SE
        • Christos Farmakis DK
        • Eirik Østby NO
        • Gunnar Karel Másson IS
        • Hafdís Bjarndóttir IS
        • Árni Guðjónsson IS
      • Pictures
    • 2012
  • About
  • Dansk
Eirik Østby, aka Yme is a Norwegian composer. Born 02.04.82, Oslo, Norway. Most of his works are electronic. He has a special interest for drone music and the contemplative way of listening. He is also an active organ player.
Notable works: “Composition” Architecture and music 2004 “Chaos magic” for large orchestra 2004, “Noise utopia” (EA) 2007, two electronic albums “Dreaming(2010) and Magic moments(2012)

About UNKNOWN3NERGY_2 _
"The essential idea of this piece is to experiment and find pleasure in complex sounds ,both harsh and soft. Orderly and Chaotic. I am using 3 main sound categories. Complex sound(Noise), Dystonic(Unclear pitch) and Tonic(pitched)sounds. The tonic and dystonic sounds function mostly as colouring in this piece, since the noise sounds are most dominant; except for part 3 where the the Tonic sounds are the dominant ones. In part 1 there is a great struggle with the 3 categories, the form is chaotic and abstract, all the elements in the piece is presented first as a dramatic chaos, then it slows down and gets more predictable. In part 2 the focus is on pure noise sounds with fewer tonic sounds. This part is one large crescendo, starting with a main-loop used as an ostinato and which grows stronger and stronger until there is white noise. In part 3 the form is more clear, now the dominating sounds are tonic/dystonic sounds, the noise sounds here are expressed in a more softer way. All the sounds and textures are made with using Granular synthesis as a main technique."
                                                                                 - Eirik Østby

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